The Gwangju Music World Festival (GWMF) will be returning for its second year this August. From the 26th to the 28th residents of Gwangju will be able to visit one of several locations around the city and listen to some fascinating music from the four corners of the globe. The event, which is being funded by the Korean government is in an attempt to booster the interest in World Music in Korea. Du-yong Jung, one of the main organisers behind GWMF, says that “[Gwangju Festival is] to teach people about differences of music and dance.”
Between thirty and forty acts are set to appear from over fifteen countries and the organisers hope to emulate the turnout of last year’s festival by topping the twenty-thousand mark. As well as the ‘World Music’ there will be a number musical workshops standing by to enlighten those who know little about this alternative scene.
In preparation for this occasion the organisers had put together a small teaser turnout a few weeks back.
On July 2 in Geumnamno Park, Gwangju, GWMF arranged a “pre-concert in hope of rustling up interest for the main event. So on a sticky hot Saturday evening roughly three to four hundred revellers turned up and packed in to see Cameroonian ‘Erik Aliana & Korongo Jam’ as well as Korean ‘Sunday Klaxons’ perform – the latter seemingly entertaining the crowd the same way a drunk uncle would entertain at a wedding, by waving their arms around and shouting, “whoop, whoop, whoop!”
Both groups are due to play at the main staging in August, with Eric Aliana being a possible festival highlight. On that Saturday evening though he managed the nigh-on impossible; getting a rather sleepy gathering of Koreans out of their chairs and singing about the struggles of Africa. Even the ‘ajumma’ with high waste trousers who had stood motionless throughout was now up dancing like apartheid was only just ending.
Speaking to organiser Mr Du-yong before the show he spoke of how the majority of the Korean music is governed by an “idol” society, but he believes that such festivals as these can really enlighten people and show that there is still other kinds of music out there.
“If people experience world music, like fusion music, such as Korean traditional and pop, [then] people will become more interested.”
World Music will have to try a lot harder to be popular in Korea than in other countries around the world. The pop industry here doesn’t have much time for alternatives in music, they are considered ‘niche’ and not profitable, so therefore the real talent gets moved aside.
With so many K-pop groups saturating the market and deadening the principles of artistry, this festival, which has sort to invite performers from around the world, is really a testament Korea’s efforts of trying to diversify its culture. World music is probably not everyone’s cup of tea, but according to Du-yong giving the people the opportunity to at least give it a listen is paramount to the genre’s ethos.
“We can only consider ‘idol’ music in Korea, only girl and boy groups. We don’t get the chance to experience world music. Our festival is a very good chance to hopefully experience this.”
With so many different musicians taking the stage throughout the three-day event there is sure to be something for everybody’s taste.
According http://www.gjwmf.com, the official website for the August show, it lists a number of acts that are set to appear.
Playing on the Main-Stage – Chomdan Ssanggam Park, are such artists as Tiempo Libre, a Grammy nominated Cuban band that is based out of Miami, Amazigh Kateb, a North African singer who has become a prominent artist in both the French and Algerian music scene. There are many more groups such as Omara Mactar Bombine, Altan Urag, Regina Carter “Reverse Thread, a classically trained jazz violinist and Nguyen-Le, a Vietnamese Parisian guitarist whose set, along with Ms Carter’s, will see out the closing night on Sunday.
Nguyen-Le, has seen how the ‘pop idol’ mentality can take over a country’s music industry, but he believes that events such as these can help merge pop with more traditional music in the hope to make it perhaps more soulful and passionate.
“I know Jazz and World music are new and small in Asian countries. I can compare [the music scene] with Vietnam from where I just came back. There is a big market for pop idols too. I was invited to play with local musicians and Tung Duong, a famous young pop singer. The experience came as one of the most exciting and exhilarating of my life and the welcoming in the medias was incredible.”
Whether you know much about traditional Korean music, World Music or you just like being amongst a large crowd on a summer’s evening, it is certainly worth a visit.
For more information check out www.gjwmf.com (it is in English)
Story & interviews by David Holt
For more stories please visit davidholt.wordpress.com or follow on twitter: #DavidAndrewHolt
Artist Profile: Nguyen-Le
Born in Paris to Vietnamese parents, Nguyen-Le began his life painting and drawing, but at the age of 15 he surprised his parents by becoming a self-taught musician. His main focus was Jazz, but he also sort to fuse his music with other genres from around the world. In 1995 he released “Tales of Viet-Nam,” an album in which he started to integrate a selection of world music elements with ethnic musicians in his music. The album has been occasionally compared with Miles Davis’ – “Kind of Blue.”
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